Final Major Project
Booker Skelding
Selection Process
The Final Major Project Brief stated that individually we were to produce a minimum of 20 images for consideration as final choices for the exhibition. I had visited over 10 locations, some more than once and shot close to 2000 images for this project. This was mainly because I was so enthralled and enthusiastic about the project. Once I had found my project title and narrative, there was no stopping me. Since embarking on this project I now always carry a camera. I have medically and physically challenged my back, neck and elbows from taking and making so many images. A well needed PAUSE is needed.
I recently attended an exhibition and talk with documentary photographer 'Paul Cabut', one piece of invaluable realisation that I took from this meeting was, that any project, need not end. The exhibition is only the beginning, the project can continue for as long as you want it to. Why didn't I think of that?. That is why research and meeting other photographers is so crucial to develop and be inspired.
I have only supplied the technical settings for the final images that will feature in the exhbition
This door has been chosen as the first image to open the exhibition. It represents barriers and how difficult it would be for me to open that door and pass through it. The many locks, bolts and padlocks preventing access. The fear of the unknown.
If you look closely, there are thin slithers of light visible through the gaps between the two doors. I wonder whats beyond the door.
The door is a giant and I can't possibly look beyond or contemplate breaking through it. So I will continue to wonder and look at its haunting, daunting beauty. What opportunities could there be beyond that door?
I have many post edits of this image, monochrome, sepia, bleach filter, however I believe this colour version to be the best choice for the exhibition.
This has been post edited using a software programme called 'Nik Filters', there are preset edits available within Silfer Efex . The filter applied in this edit is called 'Wet Rocks'. The contrast and structure are boosted, which exaggerates the grain and shadows in the wooden door.
The image was taken with 180mm prime Nikon lens, placed on a tripod, I used a narrow aperture to keep every part of the door in focus. The camera was placed on a tripod, so I could use 100 ISO. This was essential as I wanted to print the image A1 and larger. The shot took 1/8th second, using a cable release.
This image was taken with a use of a tripod and long shutter speed, I wanted to create a starburst in the street lamp. This is achieved by using an aperture of 13,16 or 18.
The car situated in the bottom right hand corner, is where the surveillance tram would have parked to record footage of my movements.
This image is very powerful at narrating my feelings of having to look outside to check if anyone was there watching me.
This image was chosen for the final exhibition.
This image was chosen for the final exhibition. I have feelings of hope when I look at this image. This is because blue is my favourite colour and the ice on the window is fresh and clean. I get the feeling that I can make a fresh start and I want to look outside to see where the light is coming from.
